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2007 is an extraordinary vintage, and one of the very few in Champagne when the harvest began in August. After a sunny and very warm spring, the months of June, July and August brought rather gloomy weather and heavy rainfall. And yet these cool temperatures did nothing to counteract the vineyard's early and rapid progress, with the grapes quickly reaching full ripeness. The blend is 100% Chardonnay exclusively from Grand Cru vineyards: 75% from the Côte des Blancs (Chouilly, Le Mesnil, Oger and Avize) and 25% from the northern slopes of Montagne de Reims (predominantly Sillery and Verzenay).
Dom Ruinart 2007 has a luminous and intense gold colour with iridescent green glints.
The attack is a hit of chalk, then flint and oyster shell notes mingle with the smoky aromas of blond tobacco. The nose continues into springtime notes, underscored with light aromas of sap, linden, acacia, extremely fresh yellow and green citrus fruit (lime, yuzu) and green fruit (plum). The subtle notes of fig leaf, liquorice and fine Chinese tea enhance the complexity of its aromatic bouquet.
The palate, which begins smoothly, quickly reveals a thrilling, stony liveliness and a deep intensity structured by notes of green citrus and grapefruit. The sap-infused and chalky finish is framed with an elegant bitter flavour. Dom Ruinart 2007 is a dynamic, sculpted wine that expresses the full purity of fine Chardonnay.
Frédric Panaïotis grew up between his grandparent’s chardonnay vines in Champagne and chardonnay remains close to his heart, making him right at home as chef de cave at Ruinart. The longest established champagne house of all has an affinity with chardonnay’s freshness, finesse and elegance, and all of its best cuvées lead with the variety, even its prestige rosé. Without the might of Moët & Chandon, the brand impact of Veuve Clicquot or the cachet of Krug, Ruinart lurks as the low profile member of the Louis Vuitton-Moët Hennessy family. On Reim’s famed Rue de Crayères, its premises hides behind the grand street presence of Pommery and Veuve Clicquot. Its low profile is just as Panaïotis would have it. “In France we have a saying, if you live underground, you live happy!” he says. But on the strength of its current cuvées, Ruinart has no need to lay low.
Champagne is planted to just twenty-eight percent chardonnay, making this the rarest of the region’s threekey varieties, and the most difficult to source. Ruinart owns just ten percent of its vineyards, includinglongstanding resources of fifteen hectares of chardonnay at Sillery and Puisieulx on the eastern slopes of theMontagne de Reims, providing a richer and rounder style than the Côte des Blancs. Long-term contracts withgrowers form the vast bulk of Ruinart’s supplies, supplemented in recent times through vineyards acquiredfrom Lanson and Joseph Perrier. This has enabled the house to increase its annual production from 1.4million to more than 2.5 million bottles over the past two decades.
Ruinart’s distinctive rounded bottles make riddling challenging and the house relies exclusively on gyropalettes, which Panaïotis claims give a better result by far. The clear glass of these bottles makes the wine susceptible to lightstruck degradation, making it vital that they are stored in the dark.
Ruinart has occupied its premises in Reims since 1768 and it was the first in Champagne to use the third century Roman Crayères (chalk mines) under the city to age its champagnes. Its location on top of the hill make its eight kilometres of cellars some of the deepest and most spectacular in Champagne, plunging to depths of up to thirty-eight metres. These are the only cellars in Champagne classified as a national monument. A distinguished home for such graceful champagnes.
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Liquor licence LIQP770010049
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© Copyright 2015 - 2019 GraysWine. All rights reserved.
Liquor licence LIQP770010049
It is against the law to sell or supply alcohol to, or to obtain alcohol on behalf of, a person under the age of 18 years.
© 2015 to 2019 GraysWine - All rights reserved.
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